Richie Fields is but another in a long line of country artists who have come out in the past few years. While mainstream radio has turned away from the kind of vocalist that Richie is -think Conway Twitty-there should be a place for artists like him somewhere. “Man Enough To Cry” is the title track to his album.

Here's Ray Scott's latest single.

After scoring 9 hit singles with Broken Bow Records, including very popular songs like "That's What I Love About Sundays" and "Redneck Yacht Club,"  Craig Morgan has moved to major label BNA Records for the next chapter in his career.  "Greatest Hits" is an album that actually delivers in what the title suggests, it contains his 8 greatest hits and 3 album tracks from each Broken Bow album. While this is good, does compiling all of hits really make for a compelling album release?  Read more to find out.

Here's the latest single from Josh Turner. It's the third single from "Everything is Fine."

Casey Rivers first came to national attention as a contestant on the 2006 season of Nashville Star.  Here's the video for his acoustic rendition of "Your Cheatin' Heart."

George Ducas recently signed a deal with WhiteStar Entertainment.  Listen to his first Top 10 hit from the mid 1990s.

Exclusive to Roughstock, here's one of the best songs off of Becky Schlegel's national release "For All The World To See."

Based in the Twin Cities, Becky Schlegel is known to fans of Prairie Home Companion and roots music devotees.  "Jenny" is the second national single release (after "Bound For Tennessee") from Schlegel's "For All The World To See" album.  Does it have a chance at radio? Is it any good?

Rattlin’ Bones, the new album from Kasey Chambers and her husband Shane Nicholson is a quite reminder of how good a country album can be when it is stripped back to its purist and most simple form.   Rootsy, almost bluegrass, instrumentation permeates the entire release giving it an Appalachian feel that is accentuated by an abundance of minor key ballads.

In an era of pro-tools, auto-tune and other forms of digital studio trickery, Hal Ketchum decided to record “Father Time” the old-fashioned way.  In the course of two days, Hal and band cranked out 14 tunes the old school way; live, in the studio, the singer with the band. While fine and good, does this make for a good album?